聲洄Melody of Motion

作品介紹

作品《聲洄》為一觀眾參與式的互動聲景裝置作品(interactive soundscape installation)，應用Ambisonics多聲道結合3D空間動態感應技術，當觀眾進入展場空間，除了能感受來自四面八方的聲響包圍外，感應器將依據身體移動位置生成即時數據進一步調變空間動態聲場內容，並且敏銳擷取觀者肢體動態即時生成電音，使身體與聲音產生具空間感的即時互動。所有不可見的聲響，都與身體的參與形成一種絕對的親密關係。聲音由此變得如水一般在有限的空間流變著，柔軟也細膩。創造當下游動於無限空間的一種可聽、可觸的沈浸式感官體驗。

Artworks

Melody of Motion is a participatory interactive soundscape installation that combines the multichannel audio technology of Ambisonics and 3D spatial motion sensor technology. When audiences enter the exhibition space, they not only feel surrounded by sounds projected at them from all around, the sensors will generate real-time data according to their motions to further modify the dynamic soundscape of the space and acutely capture their movements to immediately create electronic sounds, forming real-time interaction between body and sound with a vivid sense of space. All the invisible sounds form an absolute closeness with the involvement of the body. Sounds, like water in this case, change and flow through the finite space in a soft and delicate way, composing an immersive sensory experience that is both audible and tactile in the seemingly infinite space.

藝術家介紹

謝瀞瑩 1979 年出生於花蓮，2004 年留學德國並陸續取得德國呂北克高等音樂院(MH Lübeck)高等演奏家法國號碩士，德國漢堡戲劇與音樂學院(HfMT Hamburg)電子音樂作曲技術證書，以及德國漢堡造型藝術學院(HfBK Hamburg)新媒體表演藝術碩士。主要以聲音結合科技，進一步將「表演Perfermance」置入多元空間的沈浸式感知裝置，以此創建特殊感知聯動與時間性的虛實空間狀態。2018 起就讀於國立交通大學建築研究所博士班，研究方向為空間聽覺相關之互動感知與表演行為模式。

「如果我能使用聲音在有限的空間範圍內，使人的每一步移動都能有不同的聽覺感知，那它就成為一個無限的空間。」--謝瀞瑩

• 聲音編程｜丁啟祐
• 多聲道技術｜許庭毓
• 動態感應技術｜鍾毅豪、蕭宇倩
• 贊助單位｜Sennheiser森海塞爾香港有限公司、米地摩爾實業有限公司、Focus Vision Technology

Artist

Olifa Hsieh was born in Hualien in 1979. She started studying in Germany in 2004 and subsequently obtained her MA in Horn Classical Performance from MH Lübeck, a certificate of new media composition live electronic performance from HfMT Hamburg, and her MA in New Media Performance from HfBK Hamburg. Her art practice centers on the integration of sound and technology by incorporating “performance” into immersive sensory device in the form of diverse space to create unique sensory connections and temporal states posited between the real and virtual space. In 2018, she entered the PhD Program of the Graduate Institute of Architecture, National Chiao Tung University, and has been researching about sensory interactive art and performance related to space and the audio sense.

“If by using sound, I can create a different audio perception through an individual’s every movement within a finite space, this space can become infinite.” --Olifa Hsieh

• Sound Technique/ Chiyou Dean
• Ambisonics Technique/ Gary Heu
• Sensor Technique/ Evan Chung, Yu-Chien Hsiao
• Sponsors/ Sennheiser electronic GmbH & Co. KG , MidiMall Inc., Focus Vision Technology