〈Sphere-Sun is part of a creative project. The artist wrote a program, which can be set with keywords to input to an online search engine, and instantly process the resulting image into a video. The position of each image will be automatically adjusted according to the keywords entered, so the objects are concentrated in the middle of the screen. The keywords used in this version are sphere and sun.
The images on the search engine are all uploaded by users. When we enter a keyword, the results represent a common collective experience of or imagination that everyone in the world has for this term. Therefore, these images placed together creates an unfamiliar sense of body, which is used to explore the relationship between artificial intelligence, collective consciousness and body sense.

Year / Medium /Duration : 
2020
Single channel video, stereo sound, real-time computing program

Horizon-Sea is part of a creative project. The artist wrote a program, which can be set with keywords to input to an online search engine, and instantly process the resulting image into a video. The position of each image will be automatically adjusted according to the keywords entered, so the objects are concentrated in the middle of the screen. The keywords used in this version are horizon and sea.
The images on the search engine are all uploaded by users. When we enter a keyword, the results represent a common collective experience or imagination that everyone in the world has for this term. Therefore, these images placed together creates an unfamiliar sense of body, which is used to explore the relationship between artificial intelligence, collective consciousness and body sense.

Year / Medium /Duration : 
2020
Single channel video, stereo sound, real-time computing program

In various movements, humans move over mountaintops, across plains, through oceans from one place to another. This boundless horizon is not the end, but the beginning of the next journey.
“Place,” as a carrier of collective memory, condenses individual perceptions and emotions; as space reveals wrinkles and traces, it also reflects the constant shifts and imaginations. The mobility of the body, transporting boundaries, not only reveals physical distances and visible “places,” but also points to the perceptual “other places.”
This work attempts to deconstruct the existing boundaries and norms of “place,” echoing the human experience of constant movement across boundaries and pondering how, amidst social change, people reconstruct their emotional connection and identity with the land.

Year / Medium /Duration : 
2025
Ten-channel video

Leaves, tinged with the colors of nature, reveal different postures as the seasons turn—from the tender green of new life to the lush fullness of summer, and finally to the quiet stillness of decay. This cycle reflects the eternal flow of nature. In the rhythm of the wind, leaves take on its shape, swaying freely to weave a dynamic harmony and an interdependence with the environment. Within the river of time and the cycle of life, they continue unceasingly and inscribe an endless existence.

Year / Medium /Duration : 
2023
Kinetic installation

The Realm of Victoria uses the “Victoria City Boundary Stone” in Hong Kong as a metaphor to explore the disappearance of historical memory and the reconstruction of boundaries. As a tangible marker of the colonial regime’s territory, the boundary stone once clearly defined the city’s limits. With the change of regimes and urban development, it faced removal, loss, or oblivion. The disappearance of the boundary stone is not only the fading of a spatial symbol but also a symbol of the loss of collective historical memory, reflecting the fluidity and uncertainty of identity and belonging. Through 3D dynamic images, the work reconstructs these lost landscapes. In the interwoven virtual and real space, it is not merely a retrospective of colonial history but a critical state interwoven with power, history, and imagination, a boundary city existing between oblivion and the critical juncture.

Year / Medium /Duration : 
2024
Multi-channel video Installation, color, sound

In 2015, international news found out that there is fishing slavery in Thai fishing industry. There are so many issues including work abuse, human trafficking, drug using and trafficking, no contact to relatives, working in sea without seeing mainland for many years and so on. In 2017, Thailand reformed its rule on fishing industry. There are slaveries from Loa, Myanmar and Cambodia.
I visited many Cambodia fishermen in Thailand sea in many provinces in the south of Thailand including Samut Prakan, Chun Buri, Rayong, Trat, Samut Sakhon, SongKhla, and Pattani province. I have decided to write a letter and read the letter in the sea at ko Kut. Ko Kut (Kut Island) is an island near Thai and Cambodia sea border next to Kos Kong province in Cambodia. It is a reading performance under sea for a video. It is dedicated to enslaved Cambodian fisherman in Thailand.

Year / Medium /Duration : 
2019
Video installation, color

The mountain wind of the high red land flows down to the spirit forest and continues its way to the central land and river, causing waves to reach the oceans.
Six months of heat and six months of rain in Cambodia create a beautiful light and atmosphere in the landscape of space. Seasons and time both pass from one generation to another, leaving marks, damage, and memory to reveal what is now, yet not knowing what is the future.
The future that I am always looking for is uncertain, fragile, and unreachable.
What you see is not always what you truly see! It is not clear what exactly it is. Is it damage, or only a shadow in your eye?
The landscapes freeze me in isolation, for a moment in time. My feelings seem to relax; I fall into unconsciousness, into a dream, confused about the reality in front of me. This reality feels unrecognizable. Perhaps you have been confused like me.
The stillness of perfectly shaped colors and forms of an industrial-made fence, carefully installed and placed, stands against the powerful, mysterious nature—turning into experiences surprisingly uncontrolled and unexpected.

Year / Medium /Duration : 
2017
photography print, video

mmt_01 is an installation work combining 3D video and employs a non-linear narrative structure, creating a series of images and fragments that occur simultaneously or intertwine uncertainty and illogical sequences. This structure stems from the artist’s experience recalling specific situations, where different, contradictory, yet coexisting images often emerge from his mind.
This project was inspired by the TV series Black Mirror, the animated series Love, Death & Robots, and Otsuichi’s novel If I Were in My Right Mind (私の頭が正常であったなら).These works share a common theme: while the stories lack continuity between chapters or episodes, they nonetheless share a common atmosphere and symbols. For example, the recurring song in multiple episodes of Black Mirror or the similar and bizarre phenomena that appear in different plots in Otsuichi’s novel.

Year / Medium /Duration : 
2022
3D animated video, sound, wooden installation

As an extended response to mmt_01, mmt_02 attempts to eliminate the overwhelming complexity of information, sound, and imagery, leaving behind a minimalist scene: a virtual character (the author of the reaction) floating on a riverbank, silent and emotionally condensed. This still and floating presence serves as both a contrast to the fragmented violence of the previous work and a gaze upon the self amidst the digital torrent.

Year / Medium /Duration : 
2023
3D animated video, sound, wooden installation

mmt_ads explores the pervasive presence of video advertisements on contemporary social media.
In this algorithm-driven world, advertising is no longer merely the transmission of information; it employs a repertoire of techniques and psychological strategies, such as hooks, emotional resonance, calls to action (CTA), and big promises—precisely delivered through big data targeting to reach each viewer.
These push mechanisms are far from neutral. They reflect our habits of watching images and videos: short, fast, stimulating and repetitive. With the popularization and lower threshold of shooting and editing technologies, the production of video content by the public has grown at an exponential pace, leading to an overabundance of information.
This overproduction and constant algorithmic distribution not only expand the availability of information but also fundamentally alter our patience and attention patterns. Viewers are conditioned to expect instant gratification and rapid transitions, with their attention spans steadily diminishing.
The work mirrors this algorithm-shaped viewing culture, suggesting that the audience is not merely a passive receiver but an integral part of the flood of images.

Year / Medium /Duration : 
2023
3D animated video, sound, wooden installation

Preface: Following the Pencil Trace II serves as the prologue to this series of works. In the video, a hand holding the pencil in the image constantly moves and dots, with perspective shifting due to the magnifying glass held in its hand. In this moment, past experiences are condensed onto this thin world map. The pen, swiftly and neatly, guides us across the globe. Those rough, thick hands, with their prominent veins, wrinkles, and spots, use their clear and skillful strokes to guide me through places he has visited.

Year / Medium /Duration : 
2019
Single-channel video

This multi-channel video unfolds through four narrative threads, beginning with Preface: Following the Pencil Trace II. From the points marked on the world map, the stories ferment and shift, gradually connecting into a path that traces the places once visited by that ship. Subtle and elusive connections seem to exist among the characters, as they speak in unison to describe the “he” they see. But who is this “he”? And what might he signify? In the process of constructing this subject, I am also summoning the imagined scenes in my mind, which closely follow the imaginary narrative of reality.

Year / Medium /Duration : 
2019（2025 Re-edited version）
Multi-channel video, paper